Victoria Clare’s Art

Inktober 2 :more ink drawings and paintings

Well, I fell out of Inktober about Day 21 : I felt I was rushing, and the quality of the things I was painting was going down, so I decided to give myself permission to stop drawing every single day for a bit.   Here are some of the things I made:

Above, a portrait of Luthien Tinuviel, inspired by a photo of Tolkien’s wife Edith who inspired the character of Luthien.  This was drawn in biro with the golden flowers ink-painted.

An inkpainting for the prompt : ‘bottle’ which reminded me of this song from Lord of the Rings:

Ho! Ho! Ho! to the bottle I go
To heal my heart and drown my woe.
Rain may fall and wind may blow,
And many miles be still to go,
But under a tall tree I will lie,
And let the clouds go sailing by.

Inktober 18 : “swollen”

“ As Sam stood there… he felt himself enlarged, as if he were robed in a huge distorted shadow of himself, a vast and ominous threat halted upon the walls of Mordor…

The one small garden of a free gardener was all his need and due, not a garden swollen to a realm; his own hands to use, not the hands of others to command.”
Sam is tempted by the Ring.

Inktober prompt 14 : Clock.
Andreth as an old woman spinning by a sundial, with bonus cat.

On the Road to the Grey Havens.

“Frodo and Sam halted and sat silent in the soft shadows, until they saw a shimmer as the travellers came towards them.

There was Gildor and many fair Elven folk; and there to Sam’s wonder rode Elrond and Galadriel. Elrond wore a mantle of grey and had a star upon his forehead, and a silver harp was in his hand, and upon his finger was a ring of gold with a great blue stone, Vilya, mightiest of the Three. But Galadriel sat upon a white palfrey and was robed all in glimmering white, like clouds about the Moon; for she herself seemed to shine with a soft light. On her finger was Nenya, the ring wrought of mithril, that bore a single white stone flickering like a frosty star. Riding slowly behind on a small grey pony, and seeming to nod in his sleep, was Bilbo himself.”

Return of the King : The Grey Havens

This is an A3 sized painting in acrylics on artboard. It was actually painted in September but I’ve only just realised I didn’t upload it here!

Mists in Avalon

This picture is based on modern Glastonbury Tor and Burrow Mump (the foreground hill with the attached church) but I’ve changed things around a little. I thought I had added the water in the foreground for a more ancient and Arthurian feeling, but later I discovered that there actually is a water on the land under Burrow Mump after all, though I’m not sure you can see it all together like this from any one viewpoint now. Perhaps before the land was drained and the more recent church (now ruined) built on Burrow Mump?

This is an A3 sized painting in acrylics on artboard.

 

Inktober! A drawing in ink every day.

Since I’ve been doing some ink-painting and drawings in ink recently, I decided to attempt the Inktober challenge, and do a drawing a day.  Because of the need to make something very fast,  some of these have been slightly tweaked in software once photographed.

Here’s the official prompt list!

Day 1: a slight cheat, since I made this earlier.  The prompt was ‘Poisonous’.

Ungoliant poisons Laurelin : ink painting

Day 2: Tranquil.

Day 3: Roasted

Three Trolls eating MuttonDay 4: Spell

The Dwarves of Yore Made Mighty Spells

Day 5: Chicken

And in that very moment, away behind in some courtyard of the City, a cock crowed. Shrill and clear he crowed, recking nothing of wizardry or war, welcoming only the morning that in the sky far above the shadows of death was coming with the dawn. And as if in answer there came from far away another note. Horns, horns, horns. In dark Mindolluin’s sides they dimly echoed. Great horns of the North wildly blowing. Rohan had come at last.

Day 6 : Drooling

Draugluin sights an Elf (and friend)

Day 7 : Exhausted

Maglor Son of Feanor has fallen asleep still wearing his armour, one hand on his hearpe.

Day 8: Star

And when this new star was seen at evening, Maedhros spoke to Maglor his brother, and he said: ‘Surely that is a Silmaril that shines now in the West?’
And Maglor answered: ‘If it be truly the Silmaril which we saw cast into the sea that rises again by the power of the Valar, then let us be glad; for its glory is seen now by many, and is yet secure from all evil.’ Then the Elves looked up, and despaired no longer; but Morgoth was filled with doubt.

 

Ink sketches : Tolkien movies (more or less)

I have to admit I’m not the greatest fan of the way Elrond was characterised in the Lord of the Rings movies. Poor Elrond ‘kind as summer’ who welcomes everyone to Rivendell and never once gets angry in the books, should not be so grumpy!

But I was inspired to try drawing Grumpy Movie Elrond by a conversation on Tumblr, and here are two takes on him: one as an indignant child;

And then another more like his grumpy movie self:

A little while ago, I also drew Thorin Oakenshield from the Hobbit movies: they have their flaws, but there’s no question they gave us a rather magnificent and kingly Thorin!

Three ink-paintings

I went to a demonstration of Chinese ink-painting by Kaili Fu this week, and came back keen to try some of the ideas and techniques.  I didn’t have any rice-paper, or the proper ink or brushes, so I had to make do with indian ink, a book of hand-made paper that I happened to have had lurking about the place for ages, and a little acrylic paint.

This was the image I liked best, the third that I made.  The bottom photo shows it from the side, to show a little how the gold acrylic shines, and the top photo shows it top-down.  All the other colour is ink.   The influence of Kaili’s ink-painting here is probably just to embrace the fact that the paper absorbs and the ink mixes, rather than trying to fight it!  I only used blue, yellow and black ink, and a little water.   (you can also see the difference that lighting makes to photographing these!)

This next one was entirely created in inks, and again, trying to embrace the fact that the ink spreads, particularly if mixed with water and applied from a wet brush.   (warning, there’s a spider!)   This one is a painting of another story from Tolkien :

Ungoliant poisons Laurelin : ink painting

Finally, this was the first I created, and probably closest to the demonstration.  It’s a rowan tree.  I think I could have applied the red ink with a dryer brush, so I got a more ‘berried’ texture, but I do like the purple swirly hills and the sharp, dry-brushed rocks.

Rowan Tree : ink painting

Pastel, Pencil & Pen drawings: Ents & Elves!

I joined in with the 2018 Tolkien Reverse Fandom Bang, which is an online event where artists make art and then writers write stories to go with them.   As a change from acrylic paintings, these all use pastel and pencil, with a little pen and ink here and there.  You can find the stories (and many others!) in the collection here.

Fingolfin’s Regrets:

The Wedding of Hador & Gildis (with Fingolfin & his sister Lalwen). 

Fimbrethil & Fangorn : young Ent & Entmaiden.  (Fangorn is of course the Ent also known as Treebeard.  He has no beard in this image yet!). 

And a later image from the same story, where Fimbrethil the Entwife meets some hobbits. 

 

Maglor son of Feanor : one of my favourite Tolkien characters

Can I give you a quick outline of who Maglor is? Let’s see…
The second son of the great Elven-smith Fëanor. He was one of the greatest poets and bards of the Elves, and a great soldier who ended up swearing a very badly-worded oath (to regain the Silmarils, three marvelous jewels made by his father) which eventually drove him into attacking his own people (several times) in a very tragic manner. One of these attacks ends up with him accidentally taking in Elrond (yes, that Elrond from Lord of the Rings) as a small child, and bringing him up. At the end of the story, Maglor wanders off along the beach, mourning for his lost family and all the innocent elves he killed in pursuit of his oath and the Silmarils.

So, in this painting, here he is standing sadly on the beach. The star of the House of Fëanor is shown either side of the painting, to represent his family and also the Silmarils which shone like stars. On the left is a harp, to symbolise his skill as a bard, and on the right a burnt hand, because by the time he regained the Silmarils, he had done such terrible deeds that the holy jewels burned his hand.

Rather more than fifty paint-strokes

This painting was originally created as a ‘fifty brushstrokes’ exercise, to help me think about how to use a single stroke to create an effect.  I rather liked it, so I developed it further.

This is Brythen, a  brindle saluki mix lurcher I adopted from Forever Hounds Trust. Sadly, Brythen died relatively young last year at the age of only seven, but I have many photos and wonderful happy memories of him.  This was painted from a photo of him playing with his favorite blue saggy football in the garden.  I think I’ve caught the naughty glint in his eye! 

Evening Star

It’s been a warm summer, and so I have been walking my lurcher Rosie Roo late in the evening, and seeing the afterglow of the sun and the stars coming out and the silhouettes of the trees against the light.

A3 painting on acrylic board.

Three quick pencil sketches of Elves!

I was doing some quick practice sketches, and ended up drawing three of my favorite characters from The Silmarillion: Maglor, Curufin and Maedhros, three of the Sons of Feanor. There is no movie or official art by Tolkien of these characters, so I’m free to draw my own ideas!

Maglor is the only one who survives the book, and I’m specially fond of him though it’s undeniable that he makes some very bad decisions!

Curufin from the Silmarillion. He’s inventing the swords that glow blue when orcs approach, like the one that Frodo has in Lord of the Rings.

Maedhros: eldest of the Sons of Feanor. Poor Maedhros goes through so much in the Silmarillion, even though he makes a number of unwise decisions, I love him!

Two very different Tamar Valley landscapes.

This is a scene from the Tamar Valley between Devon and Cornwall, where I live.  But there’s a slight twist – this scene is from 1906, when the paddle-steamer Alexandra used to travel all the way up the River Tamar to Weir Head.  I adapted this by reference from a number of black and white postcards, although I’ve added a few elements such as the tree and the lighting.    And the dog, too!

And this is a rather earlier work from a couple of years ago – a section through the Tamar Valley, showing all the secrets that are behind the mineshafts and the hidden doors!   I keep meaning to draw a new version of this.   That’s me in the canoe on the river.

Two Battle Scenes: one in ink and pastel, one in acrylic

Here’s a fantasy battle scene from the Silmarillion  Fingon, on the left is charging into battle, and Maedhros, Amrod and Amras are chasing an army of orcs with the support of some Dwarf allies.  This was drawn in pencil and inked with black and white ink.  I added pastels for a note of colour.
I liked this scene, but I felt that all the complicated lines and lighting made it hard to see quite what was going on, so I decided to try a more Baroque style with Dramatic Lighting:

 

Painting Transparent Things.

I’ve been trying out painting things that are transparent or watery.  Here’s a leaf with water droplets that was a lot of fun to paint. 

I decided I’d extend the technique and make some bubbles over a landscape (I painted the landscape a few years ago, it’s a view looking out across the Tamar towards Dartmoor.  I felt it needed something to add interest!).

And finally, a still life, with a giant dice (a 20-sided one for roleplaying games). I was really pleased at how this came out!

Elves in Valinor

These five pieces were painted in reverse order: the bottom one was the first I painted, and the concept developed as I went on painting.  The idea was to paint all the members of a growing family of Elves – of course, they are immortal, so once they are grown-up they all look the same age.

These are all inspired by JRR Tolkien’s The Silmarillion.  They are Elves of the House of Finwe, in Valinor at the start of Quenta Silmarillion.


Elves Dancing in the Woods: left to right, Turgon, little Aegnor, Finrod, and Maglor.  (yes, I know they would be going by Quenya names then!)  I’ve re-painted the faces since I made this, I should re-photograph the work.

Here are Maglor and young Caranthir playing a board game, while their brothers ride along the skyline. This is a double panel, two pictures designed to be mounted one above the other.

And this is Huan, Celegorm, Fingon and small Turgon and Finrod having a race, while Maedhros acts as the finishing line. 

I call this one ‘Music Lesson in a Tree’ – in theory, Maglor, on the right is giving Fingon, in the centre a lesson in playing the ‘hearpe’ or Trossingen Lyre.  But Maedhros has come too, and little Celegorm is trying to distract everyone!

And this was the first one I painted: Maedhros and Maglor visiting young Fingon.  I still like little Fingon in this, though I think the quality of the rest of my painting has definitely improved since then. 

Poured Acrylic Ainur: Faces from Tolkien

Here are four works inspired by JRR Tolkien’s Silmarillion, created in poured acrylic. I add the faces and details once the pouring stage is complete.

Uinen

Morgoth and Manwë

To paint Morgoth, I used black india ink and pouring medium with yellow, red and metallic gold paint, so that the Mightiest of the Dwellers in Arda catches the light and sparkles. Manwë is a little more subtle, but there’s a hint of shining bronze in the darker shades around his blue and cloudy form.

Aulë, the Great Smith

Uinen, Morgoth and Manwë are painted on boxed canvasses 20cm wide and 51cm tall. Aulë is on a boxed canvas 30.5cm wide and 25.5 cm tall.(The box is about 1.5cm deep)