This is a scene from the Tamar Valley between Devon and Cornwall, where I live. But there’s a slight twist – this scene is from 1906, when the paddle-steamer Alexandra used to travel all the way up the River Tamar to Weir Head. I adapted this by reference from a number of black and white postcards, although I’ve added a few elements such as the tree and the lighting. And the dog, too!
And this is a rather earlier work from a couple of years ago – a section through the Tamar Valley, showing all the secrets that are behind the mineshafts and the hidden doors! I keep meaning to draw a new version of this. That’s me in the canoe on the river.
Here’s a fantasy battle scene from the Silmarillion Fingon, on the left is charging into battle, and Maedhros, Amrod and Amras are chasing an army of orcs with the support of some Dwarf allies. This was drawn in pencil and inked with black and white ink. I added pastels for a note of colour.
I liked this scene, but I felt that all the complicated lines and lighting made it hard to see quite what was going on, so I decided to try a more Baroque style with Dramatic Lighting:
These five pieces were painted in reverse order: the bottom one was the first I painted, and the concept developed as I went on painting. The idea was to paint all the members of a growing family of Elves – of course, they are immortal, so once they are grown-up they all look the same age.
These are all inspired by JRR Tolkien’s The Silmarillion. They are Elves of the House of Finwe, in Valinor at the start of Quenta Silmarillion.
Elves Dancing in the Woods: left to right, Turgon, little Aegnor, Finrod, and Maglor. (yes, I know they would be going by Quenya names then!) I’ve re-painted the faces since I made this, I should re-photograph the work.
Here are Maglor and young Caranthir playing a board game, while their brothers ride along the skyline. This is a double panel, two pictures designed to be mounted one above the other.
And this is Huan, Celegorm, Fingon and small Turgon and Finrod having a race, while Maedhros acts as the finishing line.
I call this one ‘Music Lesson in a Tree’ – in theory, Maglor, on the right is giving Fingon, in the centre a lesson in playing the ‘hearpe’ or Trossingen Lyre. But Maedhros has come too, and little Celegorm is trying to distract everyone!
And this was the first one I painted: Maedhros and Maglor visiting young Fingon. I still like little Fingon in this, though I think the quality of the rest of my painting has definitely improved since then.
Here are four works inspired by JRR Tolkien’s Silmarillion, created in poured acrylic. I add the faces and details once the pouring stage is complete.
Morgoth and Manwë
To paint Morgoth, I used black india ink and pouring medium with yellow, red and metallic gold paint, so that the Mightiest of the Dwellers in Arda catches the light and sparkles. Manwë is a little more subtle, but there’s a hint of shining bronze in the darker shades around his blue and cloudy form.
Aulë, the Great Smith
Uinen, Morgoth and Manwë are painted on boxed canvasses 20cm wide and 51cm tall. Aulë is on a boxed canvas 30.5cm wide and 25.5 cm tall.(The box is about 1.5cm deep)
A quick painting done for Shop on the Borderlands: an online shop selling roleplaying and boardgames.