I’ve been a bit surprised, with all the fuss and discussion over the new Amazon Rings of Power series, that apparently there are people who see Galadriel as someone who would not wear armour or wield a sword. I’ve seen her as someone who was in her younger days a fighter at least since I read Tolkien’s Unfinished Tales some time in the 1980s. So here she is: I enjoyed playing with the red colour, which stands for peaceful poppies and the fires of the War of Wrath.
Maglor from the Silmarillion meets Ilbereth, Father Christmas’s secretary from Tolkien’s Father Christmas Letters. Created for the Tolkien Reverse Summer Bang 2019 event, this work inspired this fabulous story by Narya-flame. This one is acrylic
And here’s a second illustration of Maglor on Magdalen Bridge – this time in ink with inktense pencil colour.
I made a brief video of the last painting by photographing it as I went along!
Here are some ink and Brusho paintings of Silmarillion characters that I made for Nolofinwean Week on Tumblr. These are quite small paintings on A5 watercolour paper, so not quite as detailed as my larger acrylic paintings.
Aredhel riding fearless through the dark forest of Nan Dungortheb:
Fingon fighting off a rather goofy-looking Glaurung (a wingless dragon, of course):
Love Across the Ice:
Turgon & his wife Elenwe, who died crossing the Grinding Ice:
Survivors in the War of Wrath:
In the Halls of Mandos as the War of Wrath raged across Beleriand, Fingolfin Fingon, Angrod, Aegnor and Aredhel found this tapestry: Fingolfin’s wife Anaire in battle beside their cousin Galadriel. Now they can’t decide whether to cheer or bite their imaginary spirit-nails. There were not so many Noldor who survived Beleriand, and yet they sent a host to the War of Wrath: I believe that host was largely made up of the women who did not follow Feanor and Fingolfin.
Elros’s father, guiding Elros’s ship, with an Eagle figurehead, towards the Land of Gift, Numenor.
This was painted as an illustration for a scene from a fanfic by Narya_Flame: The Ways of Paradox. It’s set in modern St Andrews, Scotland. It’s a gentle and delightful story where Maglor from the Silmarillion meets some really engaging original characters, beautifully written with a real feel for both the Scottish setting and also daily university student life.
This painting is of a scene where Maglor & Claire talk at dusk at the end of the pier while the wind blows wildly. I actually painted the figures twice: the first attempt was this one, but I felt the figures were a bit awkwardly located, so I moved them left a bit. This did mean I had to re-paint Claire’s face, and of course it didn’t quite come out the same. But I think the final version, above, is better in terms of composition…
The next one is an entirely fantasy scene, set on a beach beyond the world, where the sea shines blue beneath the stars.
Angrod, Aegnor and a mermaid friend on the beach near Alqualondë. They were building sandcastles with Finrod and Turgon, but it all got a bit intense and competitive so Angrod and little Aegnor decided to go off and talk to a mermaid in the phosphorescent sea instead.